Відео

This exhibition celebrates 2024, the Year of the Dragon, with a presentation of nearly 30 artworks spanning from the 17th century to the present day. In the West, the dragon has historically been characterized as an evil creature, flying through the air while breathing fire from its mouth, but in the East, the dragon is believed to possess power in the celestial realm and to pour out blessings ...

In this short video, Emily Pearce Seigerman, the Ben Lee Damsky Assistant Curator of Numismatics, discusses how to read and interpret coinage, focusing on examples from the Yale University Art Gallery’s collection. Produced by the Gallery’s Public Programs team and edited by Sofía Kourí, MY ’24.

In this short video, Benjamin D. R. Hellings, the Jackson-Tomasko Associate Curator of Numismatics, discusses numismatic imitations. Produced by the Public Programs team of the Yale University Art Gallery and edited by Sofía Kourí, MY ’24

In this short video, Emily Pearce Seigerman, the Ben Lee Damsky Assistant Curator of Numismatics, discusses the components of coinage, focusing on examples from the Yale University Art Gallery’s collection. Produced by the Gallery’s Public Programs team and edited by Sofía Kourí, MY ’24.

In his 60s and 70s, Henri Matisse, now famous, turned to mural decorations of striking scale and rigorous flatness. He composed these using techniques he himself invented, including painted cutouts. He explored printmaking techniques of all kinds, and he devised patterns for carpets and stained glass. Agnostic and frail, but determined to the end, he designed a luminous Catholic chapel.

Lecture Three Success-and a restless insistence, in the years between the wars, on going his own way-emboldened Henri Matisse to experiment with new styles, including Cubism. We look at his rediscovery of the Riviera, where for a decade he spent half the year portraying the secluded bliss of sunny rooms furnished with patterned fabrics and inhabited by female models, whether clothed or nude.

Lecture Two Henri Matisse imagined an ideal kind of painting, one that had classical precedents and would give joy to the artist and his viewers alike. Encouraged by a few American and Russian patrons, and aided by his own production of drawings and sculpture, he created large figural compositions with imaginary settings.

Lecture One The 36-year-old Henri Matisse made a scandal in Paris exhibiting paintings with bright colors that no longer corresponded to the things they depicted. Hostile critics called this the world of “wild beasts,” or fauves. We trace Matisse’s earlier career and his breakthroughs in landscape, still life, and figural painting.

oin Dr. Royce K. Young Wolf (Eastern Shoshone, Hidatsa, and Mandan), Inaugural Assistant Curator of Native American Art, Yale University Art Gallery, and Collections Manager of the Native North American Collection, Yale Peabody Museum; K. N. McCleary (Little Shell Chippewa), B.A. 2018, J.D. candidate, Yale Law School; and Leah Shrestinian, B.A. 2018, Program Manager, NYU-Yale American Indian So...

Join Freyda Spira, the Gallery’s Robert L. Solley Curator of Prints and Drawings, for an introduction to Munch and Kirchner: Anxiety and Expression. Featuring more than 60 works on paper, this exhibition is the first to examine the prints of Edvard Munch alongside those of Ernst Ludwig Kirchner, elucidating the fascinating overlaps in their creative output and personal biographies and demonstra...

Co-curators John Stuart Gordon and Brooke Hodge provide an overview of the exhibition titled 'Sheila Levrant de Bretteville: Community, Activism, and Design'. The exhibition is scheduled to be held at the Yale University Art Gallery from February 16, 2024, to June 23, 2024. This exhibition is the first of its kind to showcase the works of Sheila Levrant de Bretteville, a celebrated graphic desi...

Join Kathleen A. Foster, the Robert L. McNeil, Jr., Senior Curator of American Art and Director of the Center for American Art at the Philadelphia Museum of Art, for a look at changing presentations of American art, beginning with the Gallery’s trendsetting installation American Arts and the American Experience (1973). The 2021 reinterpretation of the American collections in Philadelphia offers...

CURATION with exhibition cocurator Keely Orgeman (moderator); Deborah Willis, University Professor and Chair of the Department of Photography and Imaging, Tisch School of the Arts, New York University; Kalia Brooks, Director of Programs and Exhibitions, NXTHVN, New Haven; and Key Jo Lee, Chief of Curatorial Affairs and Public Programs, Museum of the African Diaspora, San Francisco

SCHOLARSHIP with Elleza Kelley (moderator), Assistant Professor of English and African American Studies, Yale University; Cheryl Finley, Inaugural Director, Atlanta University Center Collective for the Study of Art History and Curatorial Studies, Distinguished Visiting Professor of Art and Visual Culture, Spelman College, Atlanta, and Associate Professor of History of Art and Visual Studies, Co...

Art: Panel Discussions and Book Launch, Mickalene Thomas / Portrait of an Unlikely Space

HBCU SMITAH Keynote, My Body Remembers: A Conversation on Materials and Memory

Sadako Ohki on Calligraphy

Extensions of the Artist: Lydia Winston Malbin Collects Modern Art

A Circuitous History of Print

Art and Absolutism: Jacques Callot and the Seductions of the Printed Image

Minimalism and its Legacies

Rotary Glass Plates (Precision Optics) formerly titled as, Revolving Glass Machine

Mondrian’s Geometries

Mondrian's Meanings

Mondrian In Paris

Mondrian on the Rivers and in the Dunes

Collaboration across Campus: The Making of Crafting Worldviews

Systematic Thinking

The Complexities of Indigenous Representation in the Arts